Tag Archives: Museum

Herbert Baker

Old Mill.

I encountered Irene de Bod, working at the National Institute of the Deaf. Our conversation led us to the “Old Mill “building on the grounds of the NID. Seeing the building is like love at first sight. such a beautiful, stately house glittering in the last rays of the setting sun.
I immediately wondered about the possibility of it being a Herbert Baker house. It has all the necessary essential elements to qualify: small shuttered windows facing west, windows set flush with outside walls and with broad windowsills on the interior, signature small mosaic tiles in the reception area, high pitched red tiled roof and beautiful gables, to name a few.


I contacted Connie Burger, who worked as an art teacher at the School of the Deaf/ De la Bat School for many years and has a lively interest in art and architecture. She confirmed that Herbert Baker was indeed the architect of the Joubert family, that built the house close to the old mill, that has since been torn down. According to Connie many a grand garden party was hosted in the gardens. The daughter of the Jouberts, known as the Maid of the Mill, hosted her wedding reception in the gardens. The municipality confirmed that the architect was indeed Herbert Baker.



Philosophy and influences of Herbert Baker

As an architect Herbert Baker was not a theoretical man. His contemporaries in Europe and America like Le Corbusier and Franc Lloyd Wright changed the face of architecture worldwide with interesting and new concepts. Baker was much more practical. He liked beautiful houses and stately buildings and helped establish his unmistakable style in Southern Africa. He constantly adapted and changed his style according needs of clients and to adapt to local conditions.
Baker grew up in England. The English Arts and Craft movement played a huge role in his design style. Arriving in Africa he fell in love with the Cape-Dutch building style. This influenced the way he saw architecture.
The so-called Queen Anne style may perhaps describe his style the best. It is an English style associated with the Arts and Craft movement: Small red Bricks, steep roofs, thin high gables and pediments, white sash windows, wooden balconies and bay windows.
Later in his life he aimed to be known as an imperial architect. He designed state buildings in England, South Africa and India.
Well known buildings in South Africa include the Union Buildings, Groote Schuur, St George’s cathedral in Cape Town and the impressive Rhodes memorial. It also includes many churches, houses throughout South Africa and many public buildings. He had offices in Cape Town, Bloemfontein and Pretoria.

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The Old Mill House

This unknown gem in Worcester is currently standing empty. It is lovingly cared for by the National institute of the Deaf and is in a perfect condition. The interior of the building might need some tender love and care, but not much more than a layer of paint, a spring clean and a few minor reparations.
We have many plans to use this building to the benefit of the deaf, but also to the advantage of the whole community of Worcester. So please watch this space and come and support us.

Cycladic Art

Travel is educational. Often while traveling one tends to see something that sticks somewhere in the back of your mind, to later return and make you want to know more.

One of these happenings in my life, was Cycladic art. Beautiful small, stylized sculptures that reminds of modern sculpture in the style of Brancusi and Modigliani sculpture. My first meeting with these sculptures were in the Louvre Museum.


Cycladic civilization flourished in the Aegean Sea from 3300-1100 BCE. This makes it Neolithic civilization or early bronze age civilization. They existed along the Minoan and Mycenaean civilizations but left us a unique art legacy. The civilization was focused on the Greek Cycladic islands. Although the art can be found as far as Crete and the Greek mainland, its main usage was on the islands. Sculptures found elsewhere might have been used in trade in the region.

The function of the statues are unknown. The most acceptable answer would be that it had a religious function, but we do not know for sure. Most sculptures were found in graves. The fact that evidence is found that some of the figurines were repaired and had wear and tear suggests that they would be valued by the deceased during life as well and accompanied the person to the grave. Even though almost all the figurines are female, they were found in graves of both men and women.

The figurines are highly stylized and very simplified in design. Almost all of them are female forms made in marble. They are tall and geometrical so that it resembles modern art. They are depicted nude, with arms folded over their stomachs (With the left arm above the right). The pubis is indicated by a small triangle. Small breasts are indicated too. The faces are flattened with only a sharply defined nose that is indicated. The aesthetics of the blank stylized faces appeals to our modern tastes, but older sculptures shows signs of being painted.

The other type of sculpture is an even more stylized version of the female figure, known as violin figures. Beautiful body are indicated by hips and shoulders only. Elegant long necks and small heads give the impression of violins or even guitars. There are no legs, arms folded over the body, with a little triangle for the pubic area. Small breasts are sometimes suggested.

Other art that survived from this era would be bowls, also made from marble, and pottery vases and bottles with bold decorations.


As there were no writing at the time all our knowledge needs to be deducted from arkeological findings. Therefore our information available would always be incomplete. Maybe the mystery of these beautiful figurines makes them even more appealing.

Mont Saint Michel

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There are a few names of special places that conjures up magic in my brain. Names like Casablanca and Zanzibar. Mont Saint Michel sound like dreams come true to my ear. As a child I read about this island stronghold surrounded by sea, only reachable at low tide. According to the story the tide came in at the speed of a horse at full gallop. This sounded like true science fiction at the time. I was surprised to learn that the difference between high and low tide can be as much as 14 meters here. From the ramparts one can watch the process of the tide coming in. Over the wide sandbanks one can see the ocean streaming in. Continue reading Mont Saint Michel

Pergamon Museum and the city of Pergamon

In the centre of Berlin is the Museum Island. Four of the worlds biggest museums can to be found here. Because of my love for Greek ancient history and culture the Pergamon museum was my first stop on a visit to the great German city. The museum houses the Altar to Zeus from the city of Pergamon in the now modern Turkey.
The Pergamon Altar dates from the 2nd century BC, with a 113 meters long sculptural frieze depicting the struggle of the gods and the giants, and the Gate of Miletus from Roman antiquity.

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Museum of Musical Instruments, Berlin

A visit to Berlin, for me, must include a visit to the holy shrine of music: the Berlin Philharmonic Hall, home to the Philharmonic Orchestra, both closely associated with two of my musical hero’s; Beethoven and Karajan. After a second visit and two evenings of heavenly music I still was drawn to the place. Close to the Hall we discovered a museum for Musical instruments.

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Maillol

If one goes walking in the Paris’ Tuileries Gardens Close to the Louvre Museum one can see a collection of statues by the sculptor Aristede Maillol. The gardens boast 20 Maillol sculptures. The sculptures are strong monumental female nude figures. They were donated by Maillol’s last model and his muse,Dina Vierny.

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Marino Marini, scupltor

I first saw Marino Marini’s work in front of the Peggy Guggenheim museum in Venice. It is a lovely sculpture of a boy on a horse, arms thrown open to welcome the world in a very positive attitude.The name of the sculpture is “the Angel of the City”. Great was my excitement when I read that there is a Marini museum dedicated to his art in Florance.

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Brancusi museum, Paris

Of all the museums I visited, the Brancusi museum will always be one of my favorites. Situated in the heart of Paris on the square in front of the Pompidou Centre. This small museum is free, and although small, give a wonderful insight into the work of the sculptor. The workshop of the artist with its contents was left to the people of France by the artist. The whole artelier was reconstructed as it was when the artist died. One can still see the implements he worked with as well as a sleeping area. One almost expect him to walk in and start working.

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